Content Warning: discussion of sexual assault in media.
I started reading The League of Extraordinary Gentlemen graphic novel after watching the movie. I’m only twenty or thirty pages in, and there have been two instances of sexual assault. I pause and reflect on other stories I have read written by Alan Moore. There’s another instance of attempted sexual assault in Watchmen. It made me wonder why Alan Moore utilizes rape with his female characters in his stories. It’s not something I alone have been wondering about. Typing into google “Why does Alan Moore write about rape” and there are countless articles as to why he writes about rape regularly. I wanted to discuss my thoughts about this because, as a reader, I’m tired of putting sexual assault as back story for women in media.
Before exploring this topic, there are a couple of things I want to address. I’m not saying sexual violence or rape shouldn’t be written about nor that if it’s included it’s automatically misogynist. There are ways to address sexual violence in a way that’s respectful to survivors. Most often, I see sexual assault being used as a plot device to demean the characters, and it doesn’t contribute to their development. The last statement I want to make is that anyone of any gender can be victims of assault. I cite female characters in this post as I see female characters being subjected to sexual assault in Moore’s work. However, anyone can be a victim of assault.
If we look at Alan Moore’s statements in this article, where he addresses sexual violence against women in his stories, he states, “As regards non-sexual violence, there is clearly a lot more non-sexual violence in my work that there is violence of the sexual variety, although in our current culture that’s true of nearly everyone’s work, isn’t it?” His instances of consensual sexual activity don’t undo the scenes he writes. Further into the article, Moore talks about the implications of rape, throwing out statistics of sexual assault. It seems Moore is educated about the origins of sexual assault and why it happens.
In the first paragraph, I mention how I’m tired of seeing sexual assault being used as a plot device to make a female character strong while also showing how evil a character can be. Rape doesn’t always have to be utilized to demonstrate this in media. Manipulation or gaslighting are alternative options to inform the viewer how evil a character can be.
I remember the first time I read The Girl With the Dragon Tattoo. I was in high school, and I had no idea what I would be reading. Lisbeth is subjected to many forms of abuse. However, there’s so much more to her strength than only surviving her rapes. She’s a hacker, has a photographic memory, and can intelligently plot her way out of a horrific situation. Plus, Lisbeth gets back at her rapist, physically scarring him. I have never read a book where a rape victim got savage revenge against her rapist. It doesn’t undo the scene itself, but it makes it more manageable to read about.
I still enjoy reading Alan Moore’s work. Moore wrote these stories to be enjoyed by readers, so it shouldn’t be a surprise when readers connect the dots between the way he tells his stories. If anyone finds sexual assault triggering in any way, I highly recommend never reading anything by Alan Moore. I’d be happy to hear in the comments section below on your thoughts with SA in fiction, along with your opinions on Alan Moore’s stories.
I really like how you mentioned that rape should not be used to make the female character stronger and show the evil side of the other character who initiates it. I wrote a Shan Yu fanfiction back in 2016 that explored kidnapping where he sexually abused and enslaved my OC, many times he threatened to rape her and she would obey him due to her fear of that. But it turns out the direction I took the story did not lead to actual rape of my character.
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For you and in writing this story, you chose to portray how evil a character was beyond the means of this character raping your OC. There are ways to demonstrate how evil a character can be besides raping another character. I’m not saying it shouldn’t ever be utilized, but if it doesn’t add to the character’s backstory, is it needed? Thank you for your comment!
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A weighty subject to tackle but kudos for doing so. To tangent slightly away, it is interesting how numb in general media we’ve become to certain acts, in gaming no one thinks twice to pursuing an achievement through a macabre set of deaths or abusing a position of authority to seduce a crew member in Mass Effect but go to far and there is, rightly, condemnation. With rape, as noted in your article it has become someone of a short hand way of highlighting someone’s character in the quickest way possible without dealing with the magnitude of consequences in a nuanced and realistic fashion.
Should he use it to the extent he seemingly does? Arguable, I haven’t read his work to comment on that but I suppose bringing it into the public domain to a wider extent where people can talk about it in a sensible fashion may allow others to tackle it in a more balanced way.
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As for your first paragraph, this reminds me of the time I played Red Dead Redemption. One of the achievements was kidnapping a woman, hog tying her and watching the train run over her body. If that’s not macabre, I don’t know what is.
For sure. I’m not saying he can’t write about rape. However, I have read several of his graphic novels and I find the frequency of rape to be enough where I find it’s worth discussing.
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It’s a tangent away from the point but recently been playing a lot of Resi 5 and the numerous achievements of killing people with grenades or electrocution, just makes murder seem like an achievement 🤷🏼♂️
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I’ve not read anything by Moore so I can’t comment, however, I feel the same way about Game of Thrones and George R R Martin. In both cases, I feel that the author is writing for themselves rather than for the audience and at what point do we say there’s a line between writing a book to be sold and basically writing glorified fanfiction in which the writer is exploring their own fantasies?
There’s a female author I read who’s books I used to love called Laurel K Hamilton. Her Anita Blake series started off as a supernatural crime series and while there was always sex in them over time the sex got more and more. A lot of fans started to complain and stop reading them, and I continued reading because there was still a plot and the sex had a point to it. The last book I read had absolutely no point to it. Over the years the author has become involved in polyamorous relationships, which I have zero issues with but it’s leaked into her writing. She has turned her crime book series almost into a crusade for polyamorous relationships. At this point, she’s a bestselling author being paid god knows how much to literally write glorified smutty fanfic.
From what you’re saying Moore’s not at that stage yet but I thought it was interesting to mention for comparison. There have been instances of magical rape too, and when the main character was out of her home state one such instance involved a minor who would have been underage in her home state. I didn’t really see the outrage with that one as the age of consent is 16 in the UK, however, it was a massive issue with a lot of her fans.
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I can see where George R.R Martin is getting to that point. That’s personally one of the reasons why I have stayed away from Game of Thrones is the sexual assault scenes.
Moore to me adds rape for shock value, but not to actually add on to the story. It’s gotten to the point where it’s so frequent in his work, one has to make a connection.
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Thank you for talking about this. It was when I was reading “League of Extraordinary Gentlemen” when it gelled for me. The Invisible Man sexually assaulting women was played for a laugh. I then went back through my own Moore reading: Watchmen, Killing Joke, V for Vendetta. And it’s disturbing. The arguments that rape is just the final, ultimate evil ring hollow when you consider supposed comedy in “League.” It’s an argument that reeks of his male privilege. He’s able to enact violence on the female body to shock and titillate, under a vague guise of “it’s just life in all its horror.”
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Hi Kent! Thank you for sharing!
This is how I feel too. I came from watching the League movie to reading the graphic novel and seeing how different it was which probably played into my opinion when I originally read it.
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I usually value Moores takes on sex because I’m grateful for the discussion. Sex, and the abuse and joy derived from it are clearly important to him as it should be to our infant society.
But the gag with the Invisible Man at the Junior High School is so throwaway. I think he is enjoying forcing the reader to admit how evil and impulsive our true natures are. The invisible Man is one of the scariest Ids in horror isn’t he? But in league the reader identifies with him as an antihero. The junior-high student he is raping is depicted as being in rapturous pleasure, which is certainly a distinction. (Reminder: 23% of the world population of young women are enslaved.) Very muddy minefield.
His book Neonomicon has some of the most soul shattering female destruction you can find, be forewarned, but I do think Moore knew exactly which buttons he was pushing. (bleakest Lovecraft of all time?)
His series Top10 has a large plot about how workplace sexual misconduct is often a joke and how we should all lighten up about sexual impulses, which I found trollish but stimulating.
And in his excellent spin off to that series SMAX the lead and his sister are both raped and horribly abused for a long time by their father in a way that is heavy, realistic and honest.
Lost Girls, drawn by his wife, depicts actual child pornography like it were a fine wine, and Promethea has a lot of sex-positive sex magic.
Moore clearly thinks society needs a lot of sex ed and recalculating, and seems to fall somewhere between being honest about our bodies and impulses, and navigating the huge debt abuse causes in our lives.
I’d be really curious to hear him blab about Warren Ellis and Neil Gaiman being meTooed while wielding their well funded power, but Im sure it would be prickly.
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Thank you for the well thought out comment! I do think that his takes are valuable and I wasn’t implying that they weren’t. I just thought it was interesting seeing this coming up so often in his work.
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I really appreciate your perspective on this, I’ve noticed how common of a theme sexual assault is in his works but as a survivor it always felt oddly comforting in a weird way? It made me feel seen almost.
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Likewise! I’m glad that you feel seen and I really appreciate your thoughts on this. Thanks for commenting!
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